So i’m taking part in a round-robin blog tour in which writers talk about how they write what they write. It’s a lot of fun, and I want to thank fellow historical writer Adam Haviaras for inviting me. Adam has guest posted here before. He is a ridiculously well-schooled historian and archaeologist and his wonderful writing reflects this. Check out his blog and his books if you love historical fantasy.
Now, about my writing process . . .
What am I working on?
At the moment, I am writing the third and final book in The Scourge trilogy. I’m having a great time with this book and I think it might be the best of the three.
How does my work differ from others of its genre?
I have a hard time speaking in broad terms about the genre of my work. I have two series, one that is epic fantasy and another that is historical fantasy. Both series are gritty and as realistic as I could make them. There are no unicorns in either book. Um. Okay, there’s a unicorn in the Scourge, but not a real one. There are no mages hurling fireballs and no elves. Definitely no elves. My work tends to be grounded in history, with bits of the paranormal here and there. The protagonists are usually disillusioned and dispirited, but with a fierce, burning passion that drives them ever onward. There is usually a bit of romance, and many times a bit of violence, and always a healthy dose of black humor.
Why do I write what I do?
I love history, particularly medieval history. I think contemporary people are boring. We dress in dull clothes. We talk about boring things. We have no strong convictions or traditions. Even our wars are boring. People in the Middle Ages didn’t have Wal-Mart or Movember, or even National Secretaries Day. They had craftsmen selling their wares. Their mustaches and beards were a lifelong thing. And a secretary was someone you entrusted with a deep, dark and powerful secret. Medieval soldiers wore armor and stared into the eyes of their enemies as they killed them. Women wore the most beautiful clothing in history and plotted with the best of conspirators. Politicians argued over which of them would lead the first rank of men into the enemy lines. Men fought for honor. Hell, men *had* honor (some men anyway). And horses. They all rode horses, for God’s sake. How can you not write about that sort of time period?
How does your writing process work?
I have to have inspiration to write. Something has to kindle the firewood in my brain. A good opening line. An interesting character. An image. The best of my works write themselves. The idea sustains itself. The firewood comes from thin air and the story burns like a furnace. The worst require work. Lots and lots of work.
I start most stories in the same way these days. I get an idea and think about it for a time. The protagonist is important. I need to know what type of person he or she is, and what he or she is trying to accomplish. Then, I throw everything I can at them, to keep them from accomplishing their goal. I come up with a general outline and maybe a scene outline, and then start writing. Sometimes half the scenes I planned actually make it into the book. Other times, only one or two make it.
If the story is sound, the motivation strong and the conflicts believable, then the story will tell itself. You have to listen while you write. Sometimes you step off the path, and the story will tell you to come back. If you don’t listen, you will get lost. If you do listen, you will find your story. Yeah, that’s really a vague and cheesy answer, isn’t it? But there’s truth in it. If you think about the story, really think, the answers will present themselves. The more you listen, the more ideas will come to you. Think about your story in your car. At the grocery store. In the shower. Odd things will pop into your head and you will kick at them to see if they are solid. And all those little, random ideas will come together in your novel in a way that you could never have thought of just sitting at your computer. I could talk about this for days, but I won’t. Just listen. That’s the most important part of writing. Listen. Yoda voice: Listen, you must.
Next week, my friends and fellow 47North writers, Richard Ellis Preston, Mark T. Barnes and Joseph Brassey will continue this blog tour. (I will host Joseph’s post here). Here’s all you need to know about them:
Richard Ellis Preston, Jr. is a science fiction writer who loves the zeitgeist of steampunk. Although he grew up in both the United States and Canada he prefers to think of himself as British. He attended the University of Waterloo in Ontario, Canada, where he earned an Honors B.A. in English with a Minor in Anthropology. He has lived on Prince Edward Island, excavated a 400 year old Huron Indian skeleton and attended a sperm whale autopsy. Richard currently resides in California.
Mark Barnes was born in Sydney, Australia, in September of 1966. A strong athlete, he was also drawn to the arts at a young age, penning his first short story as a seven-year-old. He worked in finance and advertising before establishing himself in IT services management. Currently he owns and operates a freelance organizational change consultancy. In 2005, when Mark was selected to attend the Clarion South residential short story workshop, he began to write with the intention of making it more than a hobby. Since that time, Mark has published a number of short stories, worked as a freelance script editor, and has driven creative consultancy for a television series.
Joseph Brassey lives in the Pacific Northwest with his wife, son, and two cats. In his spare time, he trains in, and teaches, medieval martial arts to members of the armed forces. He has lived on both sides of the continental United States and has worked everywhere from a local newspaper to the frameshop of a crafts store to the smoke-belching interior of a house-siding factory with questionable safety policies.